Do Aur Do Pyaar Review: Vidya Balan and Pratik Gandhi’s Film Offers a Refreshing and Unapologetic Perspective on Marriage

Ani Banerjee and Kaveri Ganeshan’s marriage seems perfectly fine on the surface, but deep down, there are underlying issues. In the film “Do Aur Do Pyaar,” directed by newcomer Shirsha Guha Thakurta, Vidya Balan and Pratik Gandhi take on the roles of a couple who have been together for a while and explore the everyday challenges that arise in a long-term relationship. However, does that give someone the right to betray their partner? “Do Aur Do Pyaar” is a remake of the romantic film “The Lovers” by Azazel Jacobs, and it delves into the complexities of relationships with a touch of humor. The movie showcases outstanding performances by Balan, Gandhi, Ileana D’Cruz, and Senthil Ramamurthy.

So, let me tell you about the story of Do Aur Do Pyaar. At first glance, Ani and Kavs (played by Gandhi and Balan) appear to have it all. They’re successful professionals, well-off, and live in a fancy apartment in Mumbai. But despite the outward appearances, their marriage is falling apart. The spark has faded, and they’ve started cheating on each other. Ani has been in love with Nora (played by D’Cruz), a struggling actress, for the past two years, while Kavs is almost ready to move in with the hotshot NRI photographer Vikram (played by Senthil Ramamurthy) in a beautiful sea-facing apartment. Their respective partners are ready to take their relationships to the next level, but Ani and Kaveri are still struggling to admit that their marriage is over. Gone are the days of love, endearment, and affection in their 12-year marriage. Their conversations now revolve around anti-allergic medicine, restocking garbage bags, and bills. However, when Kavya’s grandfather passes away, Ani volunteers to accompany her to Ooty. Many years ago, they had eloped, and ever since, Kavya has had a strained relationship with her family, especially her strict father. Ani and Kavya decide to face the snarky comments and judgmental stares from their extended family together as they attend the funeral. But this journey becomes a turning point in their dying relationship. As they walk down memory lane, reminiscing about the good old times, they rediscover each other. Now the question is, will they give their marriage another chance or go back to their respective partners? Now, let’s talk about the cast of Do Aur Do Pyaar. I must say, I’m always excited to watch Vidya Balan in any movie, no matter what character she plays. Balan is…

The writing and direction in Do Aur Do Pyaar are really impressive. It’s not easy to capture the complexities of modern marriages and ordinary lives with such clarity, but the writers, Suprotim Sengupta, Amrita Bagchi, and Eisha Chopra, do a fantastic job. They infuse humor into some of the most serious situations, which really elevates the story. One scene in particular, where Ani accidentally calls his father-in-law “Appam” instead of “Appa,” had me laughing out loud. It’s such a simple yet brilliantly written and executed moment, and Gandhi’s comic timing is spot-on. The screenplay of Do Aur Do Pyaar relies heavily on the conversations between the lead couple and the silent moments they share in their home. It’s not easy to keep the audience engaged when the characters aren’t speaking, but the skilled writing and direction make it work. Guha Thakurta, a well-known ad filmmaker, handles the film’s theme delicately. He successfully portrays the complexity of modern marriages and highlights the fact that no two relationships are the same. There’s a poignant scene between Balan and her onscreen father that really hits home. Frustrated with her failed marriage, she asks her father for the secret to a happy, long-lasting marriage, and he simply says, “There’s no secret, we just showed up every day.” It’s a simple moment that emphasizes the importance of consistency in a relationship. The scene is well-executed and free of melodrama, making it feel incredibly relatable.

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May 11, 2024 - Posted by filmygod - No Comments

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