Junaid Khan’s Debut in ‘Maharaj’: A Review Calling for More Recognition Over Controversy

Junaid Khan, son of the renowned actor Aamir Khan, has made his debut in the film ‘Maharaj,’ now available for streaming on Netflix. Alongside him, the talented Jaideep Ahlawat also graces the screen. Check out our detailed review of the movie right here.

Picture a young kid back in the 19th century questioning his folks about why women wear veils and if gods could understand their language. It’s no wonder that this child grows up to be a revolutionary, fighting for what’s right. Netflix’s new film, ‘Maharaj,’ introduces Junaid Khan, son of Aamir Khan, as Karsan Das Mulji, a bold journalist who stood up against all odds. Jaideep Ahlawat also stars in the movie, delivering a compelling performance as the self-proclaimed godman JJ.

‘Maharaj’ is inspired by the true-life ‘1862 Maharaj Libel Case’ and is based on Saurabh Shah’s book of the same title. Initially scheduled for release on June 14, the film encountered a delay due to a legal challenge from a Hindu group citing religious offense. Given this backdrop, many viewers already have certain expectations from the movie.

The narrative unfolds as a classic tale of the small guy taking on the mighty, with Karsan Das, spurred by personal tragedy, embarking on a mission against the injustices of religious figures. Through his writing, he exposes JJ’s inappropriate relationships with female devotees, including minors, and the disturbing practice of demanding wives as offerings from male followers.

As Karsan exposes these traditions, he not only challenges influential figures but also confronts the unwavering faith of those around him. In a poignant moment, a survivor justifies her abuser, claiming it secures a better afterlife. While this may appear far-fetched to some, it sheds light on how easily people’s beliefs can be manipulated. Given the historical context, set a century prior to independence, one can truly admire Karsan Das’ bravery in opposing such entrenched ‘religious’ practices.

This situation serves as a stark reminder of our societal failures in eradicating such customs. While we’ve made strides like reaching the moon, we still easily fall prey to false promises of a better life, both in this world and the next. Towards the film’s conclusion, the narrator, voiced eloquently by Sharad Kelkar, reflects on how Karsan’s battle brought an end to this exploitation. It’s disheartening to think about how some continue to defend figures like Asaram Bapu, convicted of heinous crimes.

When Karsan Das emphasizes that true salvation lies in one’s actions, not in fulfilling the desires of these so-called ‘leaders,’ you hope his message resonates. However, given the sensitive nature of faith today, one questions if objectivity is ever achievable in this realm.

In terms of performances, Junaid Khan shines as a newcomer, exuding confidence and comfort on screen. His choice of ‘Maharaj’ for a debut is bold and unconventional, capturing the audience’s attention. It’s refreshing that he brings his unique style, appearance, and dialogue delivery, distinct from his father. While he may benefit from some refinement, especially in emotive scenes, his potential is evident, a common challenge for young actors.

As anticipated, Jaideep Ahlawat delivers another stellar performance as JJ, effortlessly embodying the character’s detestable persona with a subtle yet chilling portrayal. Shalini Pandey’s poignant portrayal pulls at the heartstrings, reminiscent of Alia Bhatt’s performances. Sharvari Wagh, known for ‘Munjiya,’ faces a setback due to weak character development. Her role as Viraj, captivated by